Truth or

Truth or contemplates the shifting terrain of perception and how artists today articulate the hidden and emergent qualities of reality as a dynamic field that can be observed, constructed, quantified, felt, and expanded.

In a cultural moment often described as “post-truth,” the real feels increasingly fluid and fragile. Yet within this instability lies a deeper potential – not a collapse of meaning and understanding, but its pluralization. This echoes the opportunities raised by media theorists such as Marshall McLuhan and Vilém Flusser, who anticipated a shift from centralized, linear understanding to a networked condition of interpretation. The rigid systems that once promised to organize knowledge for humanity have given way to vast and inspiring terrains of subjectivity, distortion, and unresolved signal are part of the fabric of reality that artists reimagine using methods finally capable of portraying believable complexity.

This territory outside the known is infinite, but this infinitude is not a void – it is an essential space of opportunity. “The purpose of life is to seek greatness through the grasp of the infinite,” wrote Alfred North Whitehead, offering a framework that resonates with these artists’ investigations beyond certainty and containment. The artworks in Truth or emerge from explorations in that space with fragments rendered into image, form, and experience. Once again, it is artists who pioneer new ways of engaging the immaterial, the unmeasurable, and the not-yet-known.